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50个你必须要知道的声音与音色术语(下篇)
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用文字去形容声音是件很抽象的事,比如这音色黏黏的(触觉);这音色会喷出一道淡棕色的光芒(视觉);有奶油的香味(嗅觉)。 当然不是每个人都能通过文字有同感,但形容音色时人们还是会多用这些非听觉感官的形容词做诠释。 不过希望下面这些术语的专有名词解释能为你节省一些收集整理的时间~5 k& L) C5 `+ H" x) H) ^( W
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# E9 F' a8 n+ k" V8 M p L, e" M9 J中频:定义为吉他中位絃所弹出的声音范围;一段给予力度到音色上的声音频谱。
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1 z5 Y9 O8 b: {6 n" A5 `( Rmidrange: the range defined by the middle strings of the guitar; the part of the sound spectrum that gives punch to tone.
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抹音:偶然拿来描述一把无琴格吉他的起初始敲击或起音;! ?1 z4 v! }. b( N9 m
- j+ N6 R! ?" v) y, F指介于起音音繁期与细緻震动嗡嗡声的音色。* u) V9 c5 f8 ^/ J: @
( I) ~/ ^6 X; g- l" }mwah: occasionally used to describe the initial onset or attack of a fretless bass; it is a tone between the bloom of the note and a subtle buzz.(注:这是形容无琴格低音吉他发出特有音色的词,第一次看到,真有趣。俚语辞典是说,这有点像垂死的长颈鹿发出的声音,又大又长又毛。), Z. F: u% c$ N6 a9 I& p9 ^
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有机的(?):自然声响;没有明显的不平通,没有电子声。0 ~" r- w. S* J% {
' _+ o) S# s0 @/ F3 w- l: Porganic: natural sounding; without an obvious imbalance; without electronics.(注:叫RAW会不会比较好,有种未经处理的感觉。). e5 m) l* t5 E- r
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% h$ c% Z" |3 P) R: m% ?+ M) G9 U泛音:通常指从基音音调分离出的谐音含量之音色;有时候用来描述全部声音中不和谐或令人感到不舒服的音色。5 b# |+ K! }( v+ o( M5 ~, y
$ k5 P7 T/ H: z! p' {7 M& E8 ]overtones: usually describe the harmonic content of the notes, separate from the fundamental; sometimes used to describe dissonant or unpleasant tones that are part of the total voice.
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0 z+ e6 X& ~8 @- _% d. R7 H: _% j打击声:通常指强烈的起音;在最近是指鼓类风格的打击乐器产生的音色。/ l6 X$ L2 s4 B1 M
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percussiveness: often associated with a strong attack; more recently, the tone generated by striking the instrument in the manner of a drum.' \, T% O) |5 T& v9 y, Z
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似钢琴声的:大声响,有超清楚的基音和厚实的谐音;也与强烈,快速起音与长延音有关。
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. M! q" m$ J7 r- tpiano-like: big sounding, with bold harmonics and a super clear fundamental; also associated with a strong, quick attack and long sustain.
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$ L# t8 D6 x8 |4 w5 q测音:一项乐器在邻近区域之后的一段距离能被乐手听到的能力。
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projection: the ability of an instrument to be heard at a distance beyond the immediate area of the player.(注:这也是超饶舌,)6 O- S( @ B1 Z/ q4 D' k$ n
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切声(用力的按或击打):强壮的中频与起音的组合。" @0 B& M0 T, T! p% ?
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punch: the combination of strong mids and a strong attack.9 ?' w7 D. ^; I1 Y
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共呜:物质的自然趋向对特定的频率产生共振。
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resonance: the natural tendency of materials to vibrate at particular frequencies; the colloquial term to describe the liveliness of an instrument, or the lack of it./ N# ~1 W7 Z4 a3 M8 A
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]+ T2 ]# u$ x/ r3 l; o) R6 S响应:谐波含量的组合以及乐手对吉他的感觉。
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/ ]4 E4 E& V+ y3 X6 r$ xresponse: a combination of the harmonic content and the way the guitar feels to the player.
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丰富:拥有丰富谐波含量的一项乐器。
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rich: an instrument with abundant harmonic content.3 N% i0 r* _/ l+ |. U2 o- z3 b
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* K/ S+ t: O( q2 Y2 M7 X7 F铃音:持续的清澈音色。$ P3 D- P# P: z. d$ o s
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rings: sustains with clarity.
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挖空(中频):与平坦响应弧线做比较的话,一个被舀出的曲线在中频有较宽阔的舀空状。, o6 o2 w. T; V% [, L3 A3 G8 Z$ A! e' X
# d' d6 ]% y- t6 j) G2 F7 lscooped: compared to a flat response curve, a scooped curve has a broad dip in the midrange frequencies.(注:看图就知道了,Google图片: EQ + Scooped) |
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